Ultra-realistic 10-second cinematic shot presented as a serious bureaucratic experiment inside a small Russian-style office. The office has pale peach walls covered with cheap plastic panels, fluorescent ceiling lights, wooden cabinets, stacks of folders, and an old beige office desk. The atmosphere feels dry, outdated, and bureaucratic — as if this is an official state procedure. On the desk stands an old 1990s Russian school globe, with faded blue oceans, cracked lacquer, and worn edges. A man in typical office clothing — light shirt, dark trousers, sleeves rolled up — is intensely focused on the task. His face is not shown; the camera stays on his hands and the objects to keep the mood documentary-style. He slowly, carefully tries to stretch the lower half of an owl over the globe. The key detail: the owl’s lower half is fully covered in feathers, soft and natural-looking, but behaves like elastic rubber, stretching with visible tension and resistance. Feathers bend realistically as the material stretches, giving the action an uncanny biological absurdity while remaining photorealistic. The upper half of the owl looks entirely real: fluffy chest, detailed plumage, and two huge expressive eyes staring directly into the camera with a look of stunned confusion, as if the owl is silently asking what is happening. Camera performs a slow, deliberate push-in, like documenting a classified government experiment. Lighting is cold fluorescent, emphasizing the serious tone. Mood: deadpan serious, bureaucratic, hyper-realistic, absurd presented as normal, with meticulous detail on feathers, elastic deformation, and the globe’s aged texture. Style: cinematic realism, soft shadows, macro detail, subtle grain, documentary-like objectivity.